For aromatic oils in herbs and shrubs Let thanks rise to the gods, from whence they fell When one but holds the leaves and gently rubs There issues forth a mystic, fragrant smell The living plants will ornament A tended garden plot The plants will then provide yet further gifts For sprigs of these ingredients When added to the cooking pot The taste uplifts
Hellenic folk in golden ages old These perfumes of the plants sought to explain With stories down the generations told Of how such shrubs some pretty nymph contain How when Apollo yearned to kiss Sweet Daphne, she, forlorn With all speed did attempt to run away Then saving metamorphosis The pretty maiden did transform To odorous bay
O Sage! O Thyme! O Rosemary! I praise Your power to boost our health, our pain to ease Our memory to strengthen, moods to raise Our sense of sight and smell and taste to please It must have been when we first burnt Dry incense, or with mint We first less pleasant tastes and smells disguised That we, now that at last we’d learnt To add a subtle herbal hint Were civilised
O Effortless Discoverer! O Wine! Two-Things-at-Once! Dark Sunshine! Old-but-Young! Bestir to tripping dance the Muse of Rhyme Great Uninhibitor, loosen her tongue Send forth your shelt’ring leaves over my mind Embrace with dappled shade the grapes of thought Protect them from the light of Trying-to-Find Lest nude in Reason’s burning glare they’re caught For season after season we entrust This treasure to the cave of rustic stone As silently the ruby liquid dreams Long slumb’ring in the cellar’s dark and dust What secret mysteries to you were shown By under-dwelling nymphs of chthonic streams? O gen’rous partner in the poet’s art Now set the pen in flight, and help me start!
This blog has focused so far on sending out the gratitude you feel for the Universe, but I thought I’d look here at receiving the gratitude the Universe feels for you, because this is all part of the same thing – the circle of Grace, as represented by those three goddesses dancing in a circle. Receiving the concomitant reciprocation of likes from the Universe refills your creativity tanks ready for the next project. It genuinely is a circle because receiving the gratitude back will help you give better things going forward.
Now, you can’t force people to like your stuff, and that’s not what I’m going to focus on here. Rather, I’m going to be looking at hacking into the hardwired response we have in us that triggers the state of feeling liked.
When we meditate, we create a safe haven for the mind. In that space, because we’re focusing on what we’re thinking, we’re able to let go of thoughts we don’t want. This is what creates the safe haven. In Buddhist thought, meditation takes you into the Pure Land, imagined as a symmetrical, geometric mandala representing a fortress whose strong walls keep the forces of chaos outside. As you let go of thoughts that create stress, or which limit your self-image and dampen your mood, it’s natural that your mood will lift.
So meditation is already a safe-haven for self-image, and what I’m talking about here is just a more specific example of this. It’s amazing how tied up mood is with self-image, and it’s also surprising just how tied up human self-image tends to be with what other people think. We evolved that way, of course, to make society work. Think of the buzz you get when you’ve made something and people think it’s amazing. The Reward System gives you big treats in the form of considerably elevated mood. Think of the massive buzz popular musicians used to get when getting to the top of the hit parade back when that counted for something, i.e. when singles was a thing. Think of the uncontrollable smiles of the Beatles when they first met an audience that couldn’t’ contain how much they like them. This is my interpretation of the Simon and Garfunkel song Cecelia. St Cecelia is the patron saint of music, so when he’s down on his knees begging her to come home, or finding that someone else has taken his place, that means his songs aren’t doing so well. But when she comes back and he sings: “Jubilation, she loves me again, I fall on the floor and I’m laughing” – that’s the big buzz when the songs start doing well again.
But it’s your reward system that’s doing it. I’m not saying that there’s not also a transpersonal giving and receiving on the etheric planes – of course there is. But you are still the master of what hardwired response gets triggered. So why not hack into it? In an evolutionary tribal context, this treat is triggered because you’ve just made a good hut, or something like that. Grateful, congratulatory compliments from other tribe members trigger a response which feels great. We evolved to be like that because it made us into good hut builders, digging stick makers, spear makers, etc., all of which gave the evolutionary advantage. This of course is a potential added bonus for your gratitude odes, i.e. having created something good in the form of a poem, you might get some appreciative noises coming back to you, and this might trigger a further elevation of mood, beyond the expression of gratitude itself.
But what if, for whatever reason, such noises don’t come back? There’s any number of reasons why they might not. In the modern context where the made thing has become cultural, there are many different tastes and there’s a lot of subjectivity and most people are not time rich and the market place is flooded with competing attention grabbers including the media and shiny new electronic devices, and concentration spans are not what they were, and so on. You might write what you think is a great gratitude poem, but that doesn’t necessarily mean the World will reflect that, or even find a chance to give it the attention it needs.
Yet, it seems silly if you know it’s good that you don’t feed your own thoughts in as a replacement, hack the system, make the hardwired response work for you – create a safe haven for self-image. While the question for this book as a whole has been: “How can we harness the heavenly power of the ode?”, the question in this chapter is: “How can we activate a state that mimics the honeymoon period of success where the serotonin sluice gates are wide open?” The response may be ‘hardwired’ but the trigger is soft, because it’s mental, a perceived state of affairs. Anything that’s all-in-the-mind ought to be hackable.
Clearly a balance is needed here. We don’t want to suffer the ill effects of walking off into cloud cuckoo land. This balance can be reached with a little checklist. First, make sure you do actually think the thing is great yourself, and are not just pretending. Also, continue to pay some attention to feedback, but with a glass half full attitude, assuming the best where there is silence or ambiguity, and shrugging off criticism with generous assumptions along the lines of “they must be having a bad day.” Thirdly, avoid big-headedness by constantly cultivating a sense of deep gratitude about your success (external or internal).
This is what I’m interested in and working on at the time of writing and I have the feeling that the more I master this balance, the more I’ll have life licked.
So how can we tap into this? I’ve done a bit of experimenting and have had some positive results, so I thought I’d share a few suggestions. The surprise for me was that maintaining this feeling made me feel like being creative. It’s an addition to your meditation, in the form of a visualisation designed to trigger that feeling. But I want to make clear, and this is kind of crucial, that this is not ‘Creative Visualisation’ – you’re not visualising something that you want to happen in the future. The purpose of it is right in the present – to trigger the feeling. Then once it’s triggered, you’ll then shift your focus on to that feeling, and work out how to protect, maintain and amplify it, coming back to the visualisation as and when you need to if the feeling needs re-triggering.
There’s lots of things you could visualise. A good tip is to apply the Buddhist principle of non-duality – dissolving barriers between self and other, so you can resonate with the feeling of successes embodied in all well made things, by transpersonal morphic resonance, a painting, a poem, a cathedral, a teapot – whatever. Image you’re the one up on stage with an appreciative crowd, not because you’re becoming a denizen of loony land, but just to get a sense of what it feels like, and then work out how to get that feeling just by willing it.
The visualisation doesn’t need to be excessive and you don’t have to be delusional for very long. You are going to be delusional here just for a bit, to get the ball rolling. A deliberately delivered delicate dose of delusion. This particular visualisation is designed to be used as part of the process of being a poet, and so it has that as a theme. You can use it when you’ve finished a poem and not yet started a new one.
I find this a good visualisation to do during an afternoon siesta – I’m not entirely sure why. What you’ll do is imagine yourself at the site of Delphi, but it’s all come back to life as it was in the Golden Age of Athens – the temples are all standing in all their glory. This was the site on the side of Mount Parnassus in Greece where there was a great temple of Apollo, the leader of the Muses, and where there were great poetry competitions every eight years. There was no higher honour for a poet. You’re going to image a scene like the one in Poussin’s painting Parnassus.
In this painting, Poussin depicted a poet receiving the highest of honours. Muses are gathered round, and one of them places a laurel wreath on his head, a mark of honour, as with the idea of a poet laureate – i.e. a poet wearing a laurel crown. Other poet laureates are gathered round, watching on with respect and admiration. The very god Apollo gives the poet a drink from a sacred golden vessel. This is at once a reward, a reciprocation for good work, as well as a draught of inspiration for future works, and the two are indeed closely linked. We can say it represents a refilling or a refuelling. It’s believed the figure being crowned in the painting was actually Poussin’s early patron, the poet Marino. So Poussin was mixing real people from his contemporary life with an image of gods and goddesses in Golden Age Greece, which sets a perfect precedent for us to do the same.
The idea, then, is that you are going to imagine yourself in such a scenario, as the one being crowned with laurel, and watching on you will imagine peers and other figures whose opinion you most respect, and those from whom you most crave recognition. For a bit of fun, you could even Photoshop yourself in Marino’s place, as I have done here:
Poussin’s The Laureate Coronation of William Glyn-Jones
If you’re the sort of person who complains that you’re “not very good at visualising things” then what I would recommend is simply that you focus on fleshing out the details, and ask yourself what might greet your senses. The trickling of the sacred spring, the smell of the incense, the sound of the cicadas, a warm breeze on the face, the Mediterranean sunshine on your skin, and so on. Somewhere a dove is cooing.
There’s something else you can image here. You know how on Facebook where someone is streaming a video live and you see like and love emoticon symbols floating across the screen? You can image a shower of these cascading down over you, as I’ve shown in the above image. Not excessive amounts – but enough to trigger that feeling.
Once you notice the feeling – being liked, appreciated, your talent being recognised – now focus on maintaining and expanding it. If it drops away, what was the thought that just diminished it? Release that thought – let it drift away. Work out how to groove with this pleasant feeling. A groove is a repeating rhythm that’s fun to dance to. With the first few repetitions the groovy feeling is not very strong, but as it repeats it gets stronger. That’s the nature of getting into a groove. You want to work out how to do that with this feeling that you’ve triggered – staying with it that allows it to grow a little with each breath.
If find yourself wanting to make the cascade of like emoticons excessive, it could be a sign of an insecurity you’re trying to overcompensate for. If so, root that out and heal it, release the repressed emotion and move on, let it go, because this isn’t about big-headedness; it’s just about maintaining a natural cycle of flow that helps you continue being creative. Just a trickle of likes should be enough.
At the end of a session like this, see yourself getting a badge or certificate or some such to signify that you are now able to self like. Then in your day to day life if you find your mood dipping in response to perceived criticism, remember this certificate, and remember the feeling.