The Venus of Brunswick Square – spoken word video

Leave Crete, Surf-Born, for Brunswick’s glade
Where sea-breeze whispers in the tops
Of thick-grown firs that cast their shade
Under the copse

Around the green the terrace lies
Where frontages, curved round in bays,
Make lookout posts for seaward eyes
To cast their gaze

The column curves catch varied light,
With spiral capitals of cream,
And finely frame a bounteous sight
Where wavelets gleam.

Corinthian pilasters hold
Their load upon acanthus leaves
Still spiralled, as their curves unfold
Under the eaves

Aphrodite, come, we pray
And grace this finely crafted cove
And softly smile upon our play
In surf-flecked Hove.

For more info / details / background see https://howcurious533198449.wordpress.com/geodetic-mysteries/the-great-hermetic-scheme/the-great-hermetic-scheme-part-3-the-britain-centered-hermetic-scheme/venus-cuckmere-haven-west-wittering-cowes-osborne-house-etc/

Gloom Breaker – an ode on the tale of the heart-healing power of the songs of the birds of Rhiannon

I

At dim-lit dawn on Platform 1 in sombre throng
we stand forlorn in flat, sense-numb routine 
until from trackside trees bright breaks the redbreast song:  
clear, lucent water in a crystal stream   
We tend to think that we’ll not hear
such music at this time of year
yet chiffchaff, thrush and finch brave Winter’s squall   
Untensing, in my mental eye
I spread my wings; I rise and fly
upon the soothing sound set free, and then recall  

 

II

how Branwen’s hope lay likewise in her feathered friend  
as she in miniature set down her news:   
‘Come soon! I, Queen of Eire am by brute force detained  
Your sister, Bran, they torture and abuse’   
She ring-wise rolls her chosen words
and gently takes the docile bird’s
frail form and round a tiny leg she ties   
the note. A kiss, to wish it well
then through the window of her cell
releases it and skyward, swift the starling flies  

 

III

It lands, it sings, they read, they sail, but sail in vain:  
A fire claims her child – she can’t but grieve   
and though Bran’s fleet a wood had seemed upon the main  
Just queen and seven soldiers live to leave   
And these in shock, with aching hearts
Then board their ship and disembark
Across the sea in saddest state they sail
When finally they reach their home
She dies of grief with one last moan
In sympathy the voices of the songbirds fail.

 

IV

How heavy sat the sorrow of these seven men
While songbird silence held the land in thrall
They travelled on together through the gloom and then
They came to Harlech with its feasting hall
And here a wondrous sound they heard
Of great Rhiannon’s mystic birds
And suddenly sweet bliss displaced their pain
And here for seven happy years
This magic kept away their tears
As I too am uplifted waiting for my train.

An Ode to Herbs (spoken word / video)

I

For aromatic oils in herbs and shrubs
Let thanks rise to the gods, from whence they fell
When one but holds the leaves and gently rubs
There issues forth a mystic, fragrant smell
   The living plants will ornament
      A tended garden plot
The plants will then provide yet further gifts
   For sprigs of these ingredients
   When added to the cooking pot
         The taste uplifts

II

Hellenic folk in golden ages old
These perfumes of the plants sought to explain
With stories down the generations told
Of how such shrubs some pretty nymph contain
   How when Apollo yearned to kiss
      Sweet Daphne, she, forlorn
With all speed did attempt to run away
   Then saving metamorphosis
   The pretty maiden did transform
         To odorous bay

III

O Sage! O Thyme! O Rosemary! I praise
Your power to boost our health, our pain to ease
Our memory to strengthen, moods to raise
Our sense of sight and smell and taste to please
   It must have been  when we first burnt
      Dry incense, or with mint
We first less pleasant tastes and smells disguised
   That we, now that at last we’d learnt
   To add a subtle herbal hint
         Were civilised

To Wine – an incantation (spoken word / video)

To Wine – An Incantation

O Effortless Discoverer! O Wine!
   Two-Things-at-Once! Dark Sunshine! Old-but-Young!
Bestir to tripping dance the Muse of Rhyme
   Great Uninhibitor, loosen her tongue
Send forth your shelt’ring leaves over my mind
   Embrace with dappled shade the grapes of thought
Protect them from the light of Trying-to-Find
   Lest nude in Reason’s burning glare they’re caught
For season after season we entrust
   This treasure to the cave of rustic stone
      As silently the ruby liquid dreams
Long slumb’ring in the cellar’s dark and dust
   What secret mysteries to you were shown
      By under-dwelling nymphs of chthonic streams?
O gen’rous partner in the poet’s art
Now set the pen in flight, and help me start!

To Chamomile – Video

To Chamomile – An Incantation

O soft enchantress of the candle glow,
   With gentle, caring fingertips caress
Our eyelids, with a stroke soothing and slow
  Dissolve our thoughts in sweet forgetfulness
Thou angel of the cup, kind Chamomile,
   Thy golden tisane, warming, wets the lip
We feel the face relax into a smile
   Then raise the cup and take another sip
But how’s the mixture made? First fill the pot
   And heat the water till the bubbles roar
      Then add your spoon of flowers and let steep
Until the liquid’s neither cool nor hot
   Now take your chosen cup and carefully pour
      The potion, and partake before you sleep.
  While drinking, say aloud or read this spell,
  Which calms you and by calming keeps you well.

Five Gratiludes – video

Text from previous blog post on Gratiludes:

A recurring theme in the Glory of Glad has been the way Odes can reframe things in a dignified manner. The idea I’ve been reiterating is that while you could just keep a basic gratitude journal to raise mood, if you really feel glad about something, why not show that it really matters to you by writing something far more dignified – a full blown Ode.?

But there will be draw back if this is all you do. Why? Because it’s likely to be consistently serious. The whole point of what we’re doing here is to raise mood by practicing gratitude. The self-image of the serious poet has become rather infused with the picture of the suffering artist, condemned by their nature to sink from time to time into the miserable, maudlin depths of gloom. To have an ongoing good mood, on the other hand, it is obviously vital to be able to lighten up, to see the funny side.

Yes, we want to harness the power of the heavenly ode; no, we don’t want to become po faced.

So I’ve come up with a solution, one that is a lot of fun and which will only expand your options for expressing gratitude. You see, one of the things that’s been found about keeping a gratitude journal is that it doesn’t matter hugely what you express gratitude for, as long as you express gratitude for something. It is the act of expressing gratitude that raises mood. Enter the Gratilude ( “gratitude” + “interlude”.) After a few serious odes, stick in a Gratilude to lighten things up. Gratiludes are short, and easy to compose, and give you the chance, therefore, to quickly bump up the number of things you’re expressing thanks for in your journal, while simultaneously lightening the mood after your more lofty odes. This really is the final ingredient that makes the whole recipe zing. Here’s one:-

To a Doily (A Gratilude)

What a marvellous thing is a doily!
What a wonderful thing to possess!
How divine to be able
To fling on the table
The essence of delicateness!

Gratiludes, therefore, are little, light-hearted poems, almost like limericks. They still express gratitude for something, but in a more frivolous way. They’ll tend to take a mere material object as their theme. They might be partly tongue in cheek – a bit of a parody of a proper ode. They don’t have to be side-splittingly hilarious, though, because comedy is not their sole purpose – they are still, at the end of the day, gratitude poems, they’re just not so weighty.

Here’s another example. Some more follow lower down.

To a Tea Cosy

O Tea Cosy! Tea Cosy! Tea Cosy!
What endeavour could ever be finer
Than, as if it did live,
To most gallantly give
A warm coat to your favourite china?

A lead here comes from the theatrical Dionysia festival of ancient Athens. Even before the Athenians began including full blown comedies as well as the tragedies in the Dionysia, already they had the satyr plays. Each playwright would put on one satyr play and three serious performances. These satyr plays provided comic relief, and were full of bawdy fun, satire and general merriment. The Gratilude is very much like the satyr play – a short interlude for light relief. If we go with the same 3 : 1 ratio as for the satyr plays, then with as few as, say, five short gratiludes, you have enough to cover a full fifteen lofty odes, and believe me a Gratilude doesn’t take long to write. Here’s another:

To a Bed

Oh how grand are clean duvets and sheets
On a well-made and comfortable mattress!
Yes it has to be said
What a boon is a bed
And big pillows all plumped up with fatness

Does this mean your journal will be pulling in two directions at once? Not at all. We’re not talking about undermining that sense of dignity we’ve been establishing with our odes; we’re just talking about introducing a lightness and fluidity and adding another string to the bow. The very act of dignifying ourselves reminds us that we deserve good things, and laughter itself truly is one of life’s good things. Here’s another Gratilude:

To Galoshes

What ecstatical things are galoshes!
(The name that we call’em, I mean)
It’s half “gallop” / half “slosh”,
Oh my word! Oh my gosh!
The whole concept is just such a dream!

A Delicate Dose of Delusion: Completing the Circle by Receiving Reciprocation

This blog has focused so far on sending out the gratitude you feel for the Universe, but I thought I’d look here at receiving the gratitude the Universe feels for you, because this is all part of the same thing – the circle of Grace, as represented by those three goddesses dancing in a circle. Receiving the concomitant reciprocation of likes from the Universe refills your creativity tanks ready for the next project. It genuinely is a circle because receiving the gratitude back will help you give better things going forward.

Now, you can’t force people to like your stuff, and that’s not what I’m going to focus on here. Rather, I’m going to be looking at hacking into the hardwired response we have in us that triggers the state of feeling liked.

When we meditate, we create a safe haven for the mind. In that space, because we’re focusing on what we’re thinking, we’re able to let go of thoughts we don’t want. This is what creates the safe haven. In Buddhist thought, meditation takes you into the Pure Land, imagined as a symmetrical, geometric mandala representing a fortress whose strong walls keep the forces of chaos outside. As you let go of thoughts that create stress, or which limit your self-image and dampen your mood, it’s natural that your mood will lift.

So meditation is already a safe-haven for self-image, and what I’m talking about here is just a more specific example of this. It’s amazing how tied up mood is with self-image, and it’s also surprising just how tied up human self-image tends to be with what other people think. We evolved that way, of course, to make society work. Think of the buzz you get when you’ve made something and people think it’s amazing. The Reward System gives you big treats in the form of considerably elevated mood. Think of the massive buzz popular musicians used to get when getting to the top of the hit parade back when that counted for something, i.e. when singles was a thing. Think of the uncontrollable smiles of the Beatles when they first met an audience that couldn’t’ contain how much they like them. This is my interpretation of the Simon and Garfunkel song Cecelia. St Cecelia is the patron saint of music, so when he’s down on his knees begging her to come home, or finding that someone else has taken his place, that means his songs aren’t doing so well. But when she comes back and he sings: “Jubilation, she loves me again, I fall on the floor and I’m laughing” – that’s the big buzz when the songs start doing well again.

But it’s your reward system that’s doing it. I’m not saying that there’s not also a transpersonal giving and receiving on the etheric planes – of course there is. But you are still the master of what hardwired response gets triggered. So why not hack into it? In an evolutionary tribal context, this treat is triggered because you’ve just made a good hut, or something like that. Grateful, congratulatory compliments from other tribe members trigger a response which feels great. We evolved to be like that because it made us into good hut builders, digging stick makers, spear makers, etc., all of which gave the evolutionary advantage. This of course is a potential added bonus for your gratitude odes, i.e. having created something good in the form of a poem, you might get some appreciative noises coming back to you, and this might trigger a further elevation of mood, beyond the expression of gratitude itself.

But what if, for whatever reason, such noises don’t come back? There’s any number of reasons why they might not. In the modern context where the made thing has become cultural, there are many different tastes and there’s a lot of subjectivity and most people are not time rich and the market place is flooded with competing attention grabbers including the media and shiny new electronic devices, and concentration spans are not what they were, and so on. You might write what you think is a great gratitude poem, but that doesn’t necessarily mean the World will reflect that, or even find a chance to give it the attention it needs.

Yet, it seems silly if you know it’s good that you don’t feed your own thoughts in as a replacement, hack the system, make the hardwired response work for you – create a safe haven for self-image. While the question for this book as a whole has been: “How can we harness the heavenly power of the ode?”, the question in this chapter is: “How can we activate a state that mimics the honeymoon period of success where the serotonin sluice gates are wide open?” The response may be ‘hardwired’ but the trigger is soft, because it’s mental, a perceived state of affairs. Anything that’s all-in-the-mind ought to be hackable.

Clearly a balance is needed here. We don’t want to suffer the ill effects of walking off into cloud cuckoo land. This balance can be reached with a little checklist. First, make sure you do actually think the thing is great yourself, and are not just pretending. Also, continue to pay some attention to feedback, but with a glass half full attitude, assuming the best where there is silence or ambiguity, and shrugging off criticism with generous assumptions along the lines of “they must be having a bad day.” Thirdly, avoid big-headedness by constantly cultivating a sense of deep gratitude about your success (external or internal).

This is what I’m interested in and working on at the time of writing and I have the feeling that the more I master this balance, the more I’ll have life licked.

So how can we tap into this? I’ve done a bit of experimenting and have had some positive results, so I thought I’d share a few suggestions. The surprise for me was that maintaining this feeling made me feel like being creative. It’s an addition to your meditation, in the form of a visualisation designed to trigger that feeling. But I want to make clear, and this is kind of crucial, that this is not ‘Creative Visualisation’ – you’re not visualising something that you want to happen in the future. The purpose of it is right in the present – to trigger the feeling. Then once it’s triggered, you’ll then shift your focus on to that feeling, and work out how to protect, maintain and amplify it, coming back to the visualisation as and when you need to if the feeling needs re-triggering. 

There’s lots of things you could visualise. A good tip is to apply the Buddhist principle of non-duality – dissolving barriers between self and other, so you can resonate with the feeling of successes embodied in all well made things, by transpersonal morphic resonance, a painting, a poem, a cathedral, a teapot – whatever. Image you’re the one up on stage with an appreciative crowd, not because you’re becoming a denizen of loony land, but just to get a sense of what it feels like, and then work out how to get that feeling just by willing it.

The visualisation doesn’t need to be excessive and you don’t have to be delusional for very long. You are going to be delusional here just for a bit, to get the ball rolling. A deliberately delivered delicate dose of delusion. This particular visualisation is designed to be used as part of the process of being a poet, and so it has that as a theme. You can use it when you’ve finished a poem and not yet started a new one.

I find this a good visualisation to do during an afternoon siesta – I’m not entirely sure why. What you’ll do is imagine yourself at the site of Delphi, but it’s all come back to life as it was in the Golden Age of Athens – the temples are all standing in all their glory. This was the site on the side of Mount Parnassus in Greece where there was a great temple of Apollo, the leader of the Muses, and where there were great poetry competitions every eight years. There was no higher honour for a poet. You’re going to image a scene like the one in Poussin’s painting Parnassus.

In this painting, Poussin depicted a poet receiving the highest of honours. Muses are gathered round, and one of them places a laurel wreath on his head, a mark of honour, as with the idea of a poet laureate – i.e. a poet wearing a laurel crown. Other poet laureates are gathered round, watching on with respect and admiration. The very god Apollo gives the poet a drink from a sacred golden vessel. This is at once a reward, a reciprocation for good work, as well as a draught of inspiration for future works, and the two are indeed closely linked. We can say it represents a refilling or a refuelling. It’s believed the figure being crowned in the painting was actually Poussin’s early patron, the poet Marino. So Poussin was mixing real people from his contemporary life with an image of gods and goddesses in Golden Age Greece, which sets a perfect precedent for us to do the same.

The idea, then, is that you are going to imagine yourself in such a scenario, as the one being crowned with laurel, and watching on you will imagine peers and other figures whose opinion you most respect, and those from whom you most crave recognition. For a bit of fun, you could even Photoshop yourself in Marino’s place, as I have done here:

Poussin’s The Laureate Coronation of William Glyn-Jones

If you’re the sort of person who complains that you’re “not very good at visualising things” then what I would recommend is simply that you focus on fleshing out the details, and ask yourself what might greet your senses. The trickling of the sacred spring, the smell of the incense, the sound of the cicadas, a warm breeze on the face, the Mediterranean sunshine on your skin, and so on. Somewhere a dove is cooing.    

There’s something else you can image here. You know how on Facebook where someone is streaming a video live and you see like and love emoticon symbols floating across the screen? You can image a shower of these cascading down over you, as I’ve shown in the above image. Not excessive amounts – but enough to trigger that feeling.

Once you notice the feeling – being liked, appreciated, your talent being recognised – now focus on maintaining and expanding it. If it drops away, what was the thought that just diminished it? Release that thought – let it drift away. Work out how to groove with this pleasant feeling. A groove is a repeating rhythm that’s fun to dance to. With the first few repetitions the groovy feeling is not very strong, but as it repeats it gets stronger. That’s the nature of getting into a groove. You want to work out how to do that with this feeling that you’ve triggered – staying with it that allows it to grow a little with each breath. 

If find yourself wanting to make the cascade of like emoticons excessive, it could be a sign of an insecurity you’re trying to overcompensate for. If so, root that out and heal it, release the repressed emotion and move on, let it go, because this isn’t about big-headedness; it’s just about maintaining a natural cycle of flow that helps you continue being creative. Just a trickle of likes should be enough.

At the end of a session like this, see yourself getting a badge or certificate or some such to signify that you are now able to self like. Then in your day to day life if you find your mood dipping in response to perceived criticism, remember this certificate, and remember the feeling.